You Are What You Eat

I chose to place my sticker on the garbage/recycling can both inside of the building where our class is held and outside the Snell Library.  I wasn't quite sure where the perfect place this sticker would fit, at first settling with a wall on Newbury Street, it eventually dawned on me that the perfect place for this sticker would be the recycling bin I pass on my way to class.  Examining this sticker, I realized there was a deeper meaning to this funny little blob of a character.  I feel this sticker says, "you are what you eat."  The white blob, so content and fat, is chomping on a watermelon.  Meanwhile, A knife is slicing his head open revealing that inside he is actually a watermelon as well.  I found this interesting.  On the other hand, I feel this sticker also plays into the idea of greed.  Even though he is fat and full, literally made of watermelon and watermelon dripping from his face, he still continues to eat it.  The recycling bin I felt was a perfect spot for this character because the bin encourages the conservation of resources.  We reuse items that we throw away, reminding me of the idea that "you are what you eat" because these resources are in a circulation of constant use and reuse, becoming a part of our lifestyles.  On the bin outside Snell, I placed him on the head of the man throwing something away.  This would make a difference in this place because it would inspire people to not put things to waste.  On the other hand, this sticker can be seen as contradicting or almost paradoxical because recycling encourages people to reduce their waste while the little white blob seems overwhelmingly greedy and glutenous.  

-Katie



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Street Art Needs Proper Lighting Too!

This assignment turned out to be more difficult than I had planned. With sticker in hand I tromped around Boston determined to find the perfect meaningful location but the more I searched the more overwhelmed I became. No where seemed right or special or for lack of a better word, "home." Poor self-cannibalistic-watermelon-head-ghost-man, where are you to belong in a place with seemingly infinite space? So I headed to the edges of Chinatown the very first place I saw when I came to Boston. Since my arrival I always take the same path from the South Station Bus Terminal through the Chinatown gates to the Orange line that carries me to campus. It felt so safe and so natural to be walking here and then it donned on me. Isn't the point of street art to shake the very foundations of comfort and routine people cling to in a city? Wouldn't it be doubly meaningful then to place the sticker on the path I found so comforting to shake up my routine and alter the landscape of the path itself? Then I saw the cement pole. It's only purpose was to hold a decorative banner and because of its duty the pole itself has was fixed so that a light shone directly on one side holding the banner. Additionally, light which was emitted 24/7 from a furniture shop display window to the left of pole drew more attention to the sticker. Lit from two sides I placed the jolly figure a little higher than my head. It seemed so far away but none the less he shone. He stood like a guard you had to pass, or maybe an omen you had to notice before you were allowed to leave the city by bus. Or perhaps he's best suited to be an ambassador between the area of Dewey Square/South Station and Chinatown. The little man had the whole pole to himself and without distraction in a dull alley he stole all the attention. A blindingly white sticker made brighter by a convenient dual lighting system! Perhaps not the politically commentary the artist had intended to make with the piece of art but as the concept was in truth a mystery to me I decided I could at least give the piece the platform it deserved. In my mind this created the perfect cross-section between art and vandalism. An illegal item showcased just as well as any piece you'd find in the MFA. (To boot the place I chose is poorly lit except for that spot and this draws all the more attention to the sticker.) I hung out on the other side of the street for awhile and saw not one but THREE separate people stop to look at the sticker while walking towards the bus terminal. They paused for but a moment but the satisfaction I felt lasted for the rest of the night.

- Alexis 

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Make Way For Ducklings

When I saw the sticker I was immediately drawn to it because of how goofy the picture was –a person sitting on a duck that was crying. I decided to put it in the “Make way for Ducklings” statue at the Boston Public Garden by Boylston Street. Although it would be no form of political resistance, I felt that adding it there could potentially change the space. When I got to the statues, I stuck on my sticker and went into my bag to grab my camera. As I was doing this, a little boy climbs on top of the big duck even though his mother was telling him that he is not supposed to doing that. I found this a perfect opportunity to take a photo of the boy while he sat there. To me, it seems as though the sticker adds a feeling that sitting or climbing on the ducks is not allowed or wrong even though this is a public space and this is a public statue. It is as though the sticker says “this duck will be sad and cry if you straddle him”. What was originally intended to be a silly “I am here” form of graffiti, one that has no meaning but makes people take a second look, now as a different interpretation if the statue and sticker is seen with a child or other tourists sitting on top of it.




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Boston Athenaeum

I choose to hide my sticker inside a book at the Boston Athenaeum. The Boston Athenaeum is a private library near park street station that was first opened in 1807. The members and staff of this library have worked hard to keep it essentially the same since 1807. It carries only antique books, and specializes in extremely rare books. It even has George Washington's private collection. I think its an amazing place and i love spending time there but it is definitely an extremely stuffy and elitist place. There is a suggested dress code for the library, you have to pay to be a member to get in, they do not allow you to take outside bags into the library, cellphones and cameras are strictly not allowed. Talking is not allowed. Sometimes it seems like 21st century is not allowed.
It amused me to hide the sticker on the dedication page of one of the antique books in the Athenaeum. The library staff work so hard to keep everything modern or unwanted out of the library that for a piece of graffiti to be hidden inside one of the books, especially one titled The Great Conspiracy seemed like a joke to me. Im sure the librarians would not find it so funny, but i think they need to lighten up.

Here is The Great Conspiracy with the sticker hidden in it (my conspiracy?)

A view of the floor of the library that i was on...
Scene of the crime (the book is on the table)
The Great Conspiracy






-Hannah

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Daniel Hewes- Occupy.... Great Barrington?






This past weekend I was driving through the Great Barrington in the Berkshires and came across this protest. The sight struck me for a few reasons. The Berkshires is a very rural part of the state. Great Barrington is a small town with a small main street and not much activity. In class we've been been heavily focusing on these protests in very urban areas; NYC, DC, SF, Boston, etc. It was a complete 180 when I saw it in such a small town. There were no news stations, no press, and little coverage. They wont make the nightly news or make it into any major newspapers. But theyre there, trying to voice their opinions to whoever might be driving through the small town. We sometimes forget that there are residents in these small, quiet, rural towns who arent in big cities who feel a need to protest. They are geographically more isolated than the locations we see in the media. It was quite a sight, and forced me to pull over and snap a few pictures. As I drove by back home, I honked a few times to show support, and I have to admit it was pretty cool when they all cheered at me. 

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Five Pointz


One of my friends is from Long Island, New York and when she told be about Five Pointz it reminded me of our graffiti discussions.  Five Pointz is a collage of graffiti art covering a converted warehouse of artist studios.  The graffiti spans from ground level to on the roof and is done by novice to well-known graffiti artists.  The building owners encourage this graffiti art but all artists must have a permit to paint and be granted permission by the building owner.  Also, in order to photograph the art, one must have a permit as well, however, my friend took these pictures when she visited and I found them on her Facebook.  Five Pointz is located in the Queens and my friend said it is a common place for young people to photograph their cars in an entirely artistic urban setting.  

-Katie








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Subway Graffiti in New York


This is a video on the history of graffiti and how it has evolved.  This reminds me a lot of our discussions we have been having in class as well as 'Exit Through the Gift Shop.'  The way that these people decided to photograph graffiti art all over the city on subways, to document this movement and eventually published a book, reminded me a lot of what Mr. Brainwash did during his eight years of filming.  Like what happened to Mr. Brainwash and his own artwork, this video emphasizes how when media becomes interested, the whole world becomes interested and the movement blows up. Like we mentioned in class, during the seventies in New York, subway cars were being bombed and the beautiful street art on the sides of the cars were being destroyed and lost forever.  One photographer however, made the point to document as much graffiti on these cars as possible.  The book Graffiti New York covers the history of street art until modern day, emphasizing how the movement of graffiti has evolved and is now prospering while revealing decades of documentation of this graffiti art on New York subways.  It is interesting to see how much this movement has evolved and where it is today compared to the past.

-Katie

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